condensed discuss document expanded export feedback print share remove reset document_white enquire_white export_white report_white
discuss document export feedback print share gallery-landscape xml

tools, clayworking

human history
  • Other Name

    Set of clay working tools, post-WW1 (descriptive name)

    Thomas Herbert Kelsey (associated name)

  • Description

    Set of clay working tools, WW1and post-WW1 period

    Used by Thomas Herbert Kelsey.

    set of seventeen implements used in modelling (sculpting)

    The set comprises

    .1-.3: three metal open rasps; open rasps at either end; two of these marked with an incised N or Z

    .4: one stem tool (with trowel-shaped end)

    .5: one aluminium tool

    .6: metal riffler rasp : file surface; marked with an incised N or Z

    .7: riffler rasp marked 'INDEFECTIBLE / BEDFORD SHEFFIELD; file surface

    .8-.10: three wire ended tools with wooden handles; two of these marked on side with an N or a Z

    .11-.16: six boxwood tools; four of these marked on side with an N or a Z

    .17: one brush; wooden handle

  • Place
  • Associated Place
  • Accession Number
    2017.61.3
  • Accession Date
    10 Jul 2017
  • Department
tools, clayworking, 2017.61.3, © Auckland Museum CC BY

Images and documents

Images

Artefact

  • Credit Line
    Collection of Auckland Museum Tamaki Paenga Hira, 2017.61.3
    Gift of Mark Alexander
  • Place
  • Date
    [1910-1920]
  • Associated Notes

    Set of clay working tools

    Medal belonged to Thomas Herbert Kelsey.

    These implements were used by Thomas Kelsey when he was employed at the 'Dunedin Jaw Hospital' (the facial and jaw department of Dunedin Hospital) from 1919 to the late 1920s. Some may be seen in a photograph showing Thomas Kelsey sitting at his work bench at the Otago Medical School.

    In June 1915 Thomas Herbert Kelsey (1890-1962) of Motukaraka left his job as a builder in the family joinery firm to join the Auckland Regiment. He embarked in October that year serving briefly in Egypt before travelling to the Western Front.

    In July 1917 he was on leave in the UK when he took ill and was admitted to No 2 NZ General Hospital at Walton-on-Thames. This is probably when he first met Henry Pickerill, a dental surgeon who had established a unit for the treatment of facial and jaw injuries at No. 2NZGH. The family story is that the medical staff was so impressed by Tom Kelsey’s model of Kaiser Bill, and started using his skills to sculpt facial reconstructions for men who had suffered disfiguring head wounds. His work and skill was valued so much that when the unit was transferred to Sidcup Hospital Tom Kelsey went with them ad was given the rank of Temporary Sergeant. In Sidcup he met his future wife Lilian and the couple married just a week before Tom embarked for New Zealand in March 1919.

    Following his discharge later that year he went to work with Dr Pickerill at the Jaw Unit, Otago Hospital. The family built a home here and Tom Kelsey stayed on at the Otago School of Medicine working at the School of Dentistry creating teaching models and later at the School of Anatomy Museum. While in Dunedin Kelsey also created a number of other models and dioramas including a diorama of a Moa Hunter Camp site and a complete model of Mapoutahi Pa, Goat Island for the Otago University Museum. He also made model farmsteads for the New Zealand and South Seas Exhibition, and wax models for drapery for a Canterbury retailer.

    He appears to have returned north circa 1930 and in 1931 travelled to England with his wife and daughters “to make a study of museum work, especially in connection with the use of ethnographic models, and the development of the popular side of the various institutions here”. (Auckland Star, Volume LXII, Issue 137, 12 June 1931, Page 3).

    In his later years Thomas Kelsey resided at the Ranfurly Home, and while there worked up a series of watercolours relating to his WW1 experiences.

  • Associated Event
    WW1; 1914-1918
  • Associated Person
  • Associated Place
  • Associated Date
    19th Century
  • Period
  • Signature/marks

    "N" or "I V" (owner's identification)

    "N" or "I V" (owner's identification)

    "N" or "I V" (owner's identification)

    "BEDFORD / SHEFFIELD" (manufacturers mark)

    "INDEFECTABLE" (manufacturers mark)

    "I V" (owner's identification)

    "N" or "I V" (owner's identification)

    "N" or "I V" (owner's identification)

    "I V" (owner's identification)

    "N" or "I V" (owner's identification)

    "N" or "I V" (owner's identification)

  • Media
  • Measurement Reading

    225mm

    19mm

    175mm

    11mm

    18mm

    193mm

    14mm

    20mm

    170mm

    9mm

    7mm

    205mm

    17mm

    12mm

    190mm

    14mm

    175mm

    8mm

    185mm

    10mm

    270mm

    25mm

    203mm

    17mm

    195mm

    15mm

    200mm

    18mm

    160mm

    17mm

    185mm

    12mm

    138mm

    17mm

    180mm

    14mm

    185mm

    36mm

  • Subject Category
  • Classification
  • Last Update
    15 May 2023
The development of the Auckland War Memorial Museum online collection is an ongoing process; updates, new images and records are added weekly. In some cases, records have yet to be confirmed by Museum staff, and there could be mistakes or omissions in the information provided.

The gift of curiosity

With unlimited free entry to all paid exhibitions, discounted event tickets and exclusive Member-only events, a Museum Membership is the gift that keeps on giving year-round.

SEE OPTIONS FROM $60

The gift of curiosity