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Anzac

documentary heritage
  • Description

    Screenprint, printed in black, light grey-blue, dark grey-blue, and red, from four screens on paper. "Shane Cotton drew on his own visual vocabulary to explore ‘the importance of remembering – how we frame it’. Following a pattern set in previous projects, the print blends imagery and iconography from traditional and contemporary sources, prompting the viewer to connect and consider the diverse, complex layering of histories.

    The rich velvety landscape upon which text and symbol float is based on a photograph he had seen of the Gallipoli peninsular, although here it is exaggerated and fictionalised. It is a landscape devoid of human activity, where the action has already taken place." - Australian War Memorial

  • Other Id

    4113 (Presto content ID)

    PD-2019-9-3 (Reference Number)

    PD-2019-9-3 (accession number)

    ACQ-2018-41 (Acquisition number)

  • Department

Images and documents

Catalogue

  • Object Type
  • Name/Title
    Anzac
  • Primary Maker
  • Date
    2015
  • Physical Description

    560 x 760mm on Rives BFK paper

  • Level of Current Record
    Child
  • Is Part Of
  • Subject Category
  • Provenance Details
    All of the printmaking was carried out at the Megalo Studio in Canberra between May 2014 and June 2015, under the technical oversight of printmaker John Loane.
    The prints exist in an edition of 20, the others having been distributed to similar cultural institutions. This set was offered as a gift to Auckland Museum by the Australian War Memorial in 2018.
  • Public Access Text

    Edition of 20

    [Keywords: Gallipoli]

  • Subject Notes
    Artist's bio:
    "Cotton is of European, Ngati Rangi, Ngati Hine and Te Uri Taniwha descent. Cotton’s work draws on both his Maori and European heritages, combining popular culture, art-historical references and significant histories of New Zealand. Landscape references in Cotton's paintings evoke traditional Maori carving and the work of renowned New Zealand artist Colin McCahon. His paintings blend imagery and iconography from traditional and contemporary sources, prompting the viewer to connect and consider the diverse, complex layering of histories that inform his work. His major solo exhibition, The Hanging Sky, was held in 2012-2013 at the Institute for Modern Art, Brisbane; Christchurch Art Gallery; and Campbelltown Arts Centre. He has held numerous solo shows in both Australia and New Zealand as well as participating in group shows and biennales internationally." - Australian War Memorial
  • Copyright
    All rights reserved
  • Last Update
    20 Jun 2023

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