condensed discuss document expanded export feedback print share remove reset document_white enquire_white export_white report_white
discuss document export feedback print share gallery-landscape xml

Invisible Sun (The Other Side)

documentary heritage
  • Kupu whakaahua

    Softground etching and foul bite, in black ink; etching, in black ink and softground etching, in silver-green ink, on paper.

    Screenprint, printed in silver, red, and blue-grey, from three screens on paper. "Mike Parr produced a two-sided print for the portfolio. The first side is a three-colour screenprint with the refrain [at the going down of the sun and in the morning we will remember them] decreasing in size so that the body of the text seems to compress towards a vanishing point, with the Australian Rising Sun badge at the top. Parr reasoned that the diminution of the refrain was a melancholic device as well as a reflection on the passage of memory through generations. The second side is a three plate etching/drypoint on a copperplate. Parr started with the portrait which was created from his own reflection in the highly polished surface of the blank plate. It is slightly anamorphic and is a generic Parr portrait image [‘of the male Parr line’] of his father. The hand etched text relates to Parr’s family history of his uncle Edgar in the First World War and his father in the second. The text is quite illegible which was important to Parr as he felt this side was much more personal and private than the first. The prints speak of eroded memory and the conflation of handed down stories." - Australian War Memorial

  • Tohu Tuakiri Kē

    4117 (Presto content ID)

    PD-2019-9-7 (Reference Number)

    PD-2019-9-7 (accession number)

    ACQ-2018-41 (Acquisition number)

  • Wāhanga

Mātātuhi me ngā tuhinga

Rārangi

  • Momo Taonga
  • Ingoa/Taitara
    Invisible Sun (The Other Side)
  • Kaiwaihanga Matua
  • 2014
  • Whakaahuatanga ā-Kiko

    Double-sided print - etching on one side and screenprint on the other. 760 x 560mm on Rives BFK paper

  • Taumata o te Mauhanga o Nāianei
    Child
  • He Wāhi Nō
  • Huinga Kaupapa
  • Ngā Taipitopito Tātai Takenga
    All of the printmaking was carried out at the Megalo Studio in Canberra between May 2014 and June 2015, under the technical oversight of printmaker John Loane.
    The prints exist in an edition of 20, the others having been distributed to similar cultural institutions. This set was offered as a gift to Auckland Museum by the Australian War Memorial in 2018.
  • Kuputuhi e Wātea Tūmatanui ana

    Edition of 20

  • Artist's bio:
    "Mike Parr works across diverse media platforms, including performance and body art, drawing, printmaking, text, film, staged photography and sculpture. He investigates a range of socio-political concerns, from personal identity to politically charged actions commenting on the role of the individual in society. One of Australia’s foremost artists, Parr has exhibited extensively both locally and overseas, including the 12th Biennale of Sydney in 2000 and the
    Adelaide Biennial in 2004. In 2005, the Newcastle Region Art Gallery held an exhibition of works from 1970 to 2005, and in 2005-06, the MCA exhibited a major survey of his prints." - Australian War Memorial
  • Manatārua
    All rights reserved
  • Whakahounga o Mua
    20 Jun 2023

Tūemi e whai hononga

Tuemi ōrite

Ngā hua o DigitalNZ

Mea e whai hononga ai

    E hangaia tonutia ana te kohinga tuihono a Tāmaki Paenga Hira; tāpirihia ai ngā whakahoutanga me ngā pūkete i ia wiki. I ētahi wā, kāore anō kia whakaūhia ngā pūkete e ngā kaimahi o Te Whare Taonga, tēnā pea he hapa kei roto i ngā kōrero.

    The gift of curiosity

    With unlimited free entry to all paid exhibitions, discounted event tickets and exclusive Member-only events, a Museum Membership is the gift that keeps on giving year-round.

    SEE OPTIONS FROM $60

    The gift of curiosity